![]() ![]() While shooting at what he believes to be the suspect, Engstrom accidentally kills Vik, who had mistakenly run right instead of left as ordered.Įngström initially tells the truth about the shooting, but realises that everyone assumes that the fugitive shot Vik. Without telling his colleagues, however, Engström carries a gun from his days in the Swedish police, who routinely carry firearms. Events take a turn for the worse when the fugitive shoots one of the pursuing unarmed Norwegian police officers. Vik is nearing retirement age, and his memory is failing.Įngström devises a plan to lure the murderer back to the scene of the crime, but the stakeout is blown and the murder suspect flees into the fog. Engström is a police inspector formerly with the Swedish police who moved to Norway after being caught having sex with the main witness in one of his cases. ![]() When 17-year-old Tanja is found murdered in the city of Tromsø, far up in the Norwegian Arctic, Kripos police officers Jonas Engström ( Stellan Skarsgård) and Erik Vik ( Sverre Anker Ousdal) are called in to investigate. The film inspired the 2002 American remake Insomnia. The screenplay was written by Nikolaj Frobenius and Skjoldbjærg, and the soundtrack by Geir Jenssen. Insomnia was the film debut of director Erik Skjoldbjærg. The title of the film refers to his inability to sleep, the result of his guilt (represented by the relentless glare of the midnight sun). The investigation goes horribly wrong when he mistakenly shoots his partner and subsequently attempts to cover it up. Anytime you’re going to change a model, it’s going to create a degree of noise.” Stankey said the move would give customers a “choice”, and the longer-term would be “dictated by what consumers wish to do”.Insomnia is a 1997 Norwegian thriller film about a police detective investigating a murder in a town located above the Arctic Circle. He said: “I know there’s a lot of noise out in the market, people with different viewpoints. John Stankey, the chief executive of AT&T, which owns both Warner Bros and HBO Max, defended the move on Tuesday, calling it a “win-win-win”. Dune director Denis Villeneuve is also reported to be unhappy with the situation, having understood the film would be launched on the big screen. Legendary has co-financed Dune and Godzilla vs Kong, two of Warner Bros’ 2021 releases, and is reportedly currently attempting to renegotiate their contracts in light of the projected loss of cinema revenue. Warner Bros is likely to face legal consequences for its decision, with reports that high-profile production outfit Legendary is considering suing the studio. The underwhelming commercial performance of Tenet at the US box office, where it took $57.6m after its release in September, is thought to have partly formed Warner Bros’ thinking, but the decision to change the release of all 17 of its 2021 slate – which includes such tentpole offerings as The Matrix 4, Dune and The Suicide Squad – has provoked widespread consternation. Nolan’s intervention amid widespread industry dismay at Warner Bros’ move is all the more dramatic considering the studio has been involved in all his films since 2002’s Insomnia, including the blockbusting Dark Knight trilogy and recent productions Dunkirk and Tenet. Their decision makes no economic sense, and even the most casual Wall Street investor can see the difference between disruption and dysfunction.” Nolan went even further in a statement to the Hollywood Reporter, saying: “Some of our industry’s biggest film-makers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service … don’t even understand what they’re losing. He added: “It’s very, very, very, very messy … not how you treat film-makers and stars and people who … have given a lot for these projects.” ![]()
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